Bach Bibliography Search Result - Ordered Chronologically

Author : Christensen, Thomas
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Christensen, Thomas:   Eighteenth-Century Science and the 'Corps Sonore:' The Scientific Background to Rameau's 'Principle of Harmony'. JMTheory 31/1 (Spring 1987), 23-50.
	2.	Christensen, Thomas:   Nichelmann Contra C. P. E. Bach: Issues of Harmonic Theory in the Empfindsamer Stil. [p]AMS_NewOrleans (Oct 1987) A paper read at the American Musicological Society, Center for Black Music Research, and The College Music Society Annual Meetings 15-18 October 1978, New Orleans, Louisiana.
	3.	Christensen, Thomas:   Nichelmann contra C. Ph. E. Bach: Harmonic Theory and Musical Politics at the Court of Frederick the Great. VeröffJoachimJungiusGWiss 62 (1990), 189-220. also repr. in The work of music theory. - Farnham: Ashgate, 2014. ISBN: 1-4724-3055-7; 978-1-4724-3055-7. (= Ashgate contemporary thinkers on critical musicology series). pp. 311-342.
	4.	Christensen, Thomas:   Sensus, ratio and phthongos: Mattheson's theory of tone perception. [fs]Lewin (1994), 1-22.
	5.	Christensen, Thomas:   Johann Nikolaus Bach als Musiktheoretiker. BachJb 82 (1996), 93-100.
	6.	Christensen, Thomas:   Bach among the Theorists. [p]ABS_California (Apr 1996) Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996.
	7.	Christensen, Thomas:   Bach among the Theorists. BachPerspectives 3 (1998), 23-46.
	8.	Christensen, Thomas:   C.P.E. Bach's Versuch and its Context in Eighteenth-Century Thorough-Bass Pedagogy. CPEBachKonzepteSR 2 (1998), 352-377.
	9.	Christensen, Thomas S.:   Die Kunst des Möglichen. Bach, Musiktheorie und musikalische Mannigfaltigkeit. LeipzigerBeitrBachF 7 (2005), 99-126.
	10.	Christensen, Thomas:   Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. HarvardPubM 22 (2008), 17-40.
	11.	Christensen, Thomas:   Fundamenta partiturae: Thorough bass and foundations of eighteenth-century composition pedagogy. [ce]Christensen (2014), 77-100.
	12.	Christensen, Thomas:   Johann Nicolaus Bach as music theorist. [ce]Christensen (2014), 257-264.
	13.	Christensen, Thomas:   Bach among the theorists. [ce]Christensen (2014), 265-288.
	14.	Christensen, Thomas:   Nichelmann contra C.Ph.E. Bach: Harmonic theory and musical politics at the court of Frederick the Great. [ce]Christensen (2014), 311-342.
	15.	Christensen, Thomas:   The work of music theory. Farnham: Ashgate, 2014. 404p. ISBN: 978-1-4724-3055-7. (= Ashgate contemporary thinkers on critical musicology series) [contents]
	16.	Christensen, Thomas:   C.P.E. Bach's Versuch and its context in 18th-century thorough-bass pedagogy / [ce]Late18cComposers_CPEB (2015), 311-336. Repr. from in Hans-Günter Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa. Bericht über das Internationale Symposium vom 8. März bis 12. März 1994 im Rahmen der 29. Frankfurter Festtage der Musik an der Konzerthalle 'Carl Philipp Emanuel Bach' in Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte, Sonderbaud 2. Frankfurt (Oder): Kouzerthalle 'Carl Philipp E1nanuel Bach' (1998), pp. 352-377.
	17.	Christensen, Thomas:   Nichelmann contra C.Ph.E. Bach: harmonic theory and musical politics at the court of Frederick the Great. [ce]Late18cComposers_CPEB (2015), 413-446. Repr. from in Hans Joachim Marx (ed.), Carl Philipp Emanuel Bach und die europäische Musikkultur des mittleren 18. Jahrhunderts: Bericht über das Internationale Symposium der Joachim Jungius-Gesellschaft der Wissenschaften Hamburg 29. September-2. Oktober 1988, Göttingen: Vandenhoeck & Ruprecht (1990), pp. 189-220.